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More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 陌陌影视陌陌影视樱花影院6080影院尼基·贾姆：人生赢家新月魅影月球时代白日梦赤月湖吸血鬼月满英伦天堂套房全职大盗温柔之歌无家可归2022我要当八路直率症玩谢大师阳光下的少年之我的无色世界巅峰拍档第二十一季海霞飞狗巴迪2：金牌接球员致所有我曾爱过的男孩义胆群英西游记归来酒精计划迷幻天使黑暗中的孩子们
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 陌陌影视陌陌影视樱花影院6080影院尼基·贾姆：人生赢家新月魅影月球时代白日梦赤月湖吸血鬼月满英伦天堂套房全职大盗温柔之歌无家可归2022我要当八路直率症玩谢大师阳光下的少年之我的无色世界巅峰拍档第二十一季海霞飞狗巴迪2：金牌接球员致所有我曾爱过的男孩义胆群英西游记归来酒精计划迷幻天使黑暗中的孩子们